Lhasa De Sela Llorona Rar Download

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La Llorona is a figure from Aztec mythology who is known to lure men with Siren songs, then turn them to stone as punishment for their evil ways. While Lhasa de Sela's delivery is not quite that powerful, this stunning debut album did win her the 1998 Juno Award as Best World Music artist. For good reason. Tags applied to Lhasa, like the oft-repeated 'chanteuse' don't really capture her moody, ethereal voice. While comparisons to the likes of Edith Piaf are inevitable, they describe neither the texture of her vocals, the poetic sweep of her lyrics, nor the music she and collaborator Yves Desrosiers created for the album.

Download FLAC Lhasa De Sela - The Living Road 2003 lossless CD, MP3. Login; Artist 2019 0-9 z y x w v u t s r q p o n m l k j i h g f e d c b a. The Living Road '2003. La Llorona '1998. To view this video download Flash Player. Amazon's Lhasa De Sela Store. What a pleasant find. I was sampling music here on Amazon and on a whim looked up 'La Llorona'. The title reminded me of 'lluvia' and rain is always one of my favorite themes and this CD does not disappoint. For your search query Lhasa De Sela Anywhere On This Road MP3 we have found 1000000 songs matching your query but showing only top 10 results. Now we recommend you to Download first result Lhasa De Sela Anywhere On This Road MP3 which is uploaded by Baruch Spinoza of size 6.19 MB, duration 4 minutes and 42 seconds and bitrate is 192 Kbps. Lhasa de Sela (September 27, 1972 – January 1, 2010), also known by the mononym Lhasa, was an American-born singer-songwriter who was raised in Mexico and the United States, and divided her adult life between Canada and France.

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The songs on La Llorona are all in Spanish, which adds to the veil of mystery that is woven into every song, as Lhasa mines the rhythms and melodies of Latin folklore, poetry in the Andalusian tradition of Federico Garcia-Lorca, European gypsy and klezmer music, and norteño canciones along with more conventional French (and French-Canadian) café styles.

Sela

The opening cut, the smoky, desolate 'De Cara la Pared (Face to the Wall)' makes the most of Desrosiers' musical saw and the violin of Mara Tremblay as Lhasa delivers a haiku-like plea of lost love. (In fact, all of de Sela's lyrics could stand alone on the printed page with the kind of poetic effect usually attributed to the likes of Bob Dylan, Leonard Cohen, and few others.) 'La Celestina' moves to the rhythm of a campfire dance and the more prominent cry of the musical saw in addressing a wandering soul. 'Desierto ('The Desert)' and 'El Payande' are laments, romantically hypnotic. Almost too much so; de Sela verges here on a wallow. She pulls back from the brink with 'Por Eso Me Quedo (That's Why I'm Staying)' and 'Los Peces (The Fish),' two of the albums best cuts. The first is a sweet melodrama over a melody that flows like a minor-key norteño folk song. 'Los Peces' is a folk song of Mexican origin, but de Sela makes it her own, turning a ballad about the Virgin Mary and the fish in the sea into a dervish dance. 'Floricanto' (or 'Flower Song') is a dreamy lament with hurdy-gurdy echoes. 'Desdenosa (Disdainful)' is a whispery, dramatic, flamenco-tinged confessional, while both 'Pajaro (The Bird)' and 'Mi Vanidad (My Vanity)' are rolling-sea ruminations with gypsy accordion and klezmer clarinet.

The final selection, El Arbol de Olvido (The Tree of Forgetfulness), a somber dreamscape from Argentina, brings the album full circle, ending as it began, looking through a glass darkly.

The whole of La Llorona has a intensely mythic feel, rising and falling dramatic and exotic breaths -- an invitation to darker mysteries, like the Siren songs of the album's namesake.

Llorona
SampleTitle/ComposerPerformerTime
1 04:15
2 04:47
3 03:53
4 03:51
5 03:31
6 03:52
7 04:09
8 04:34
9 03:58
10 04:13
11 03:11

Lhasa De Sela Llorona

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Lhasa De Sela Llorona Rar Download Torrent

In May 2009, shortly after the release of her third album, Lhasa, with the help of the team that helped her create this new collection of fine pearls, gave a few concerts ahead of a tour that was set to take place six months later. Joe Grass on guitars, Sarah Pagé on the harp, Miles Perkin on the double bass and Andrew Barr on drums formed an organic whole with the singer, which held together very well. Naturally, they gave pride of place to the compositions of this recent Lhasa. Nine songs of the fourteen, which sound more or less like studio recordings, with a tendency towards a slowing-down of the tempo, became well-known on 1001 Nights, which reinforced their shadowy aspect. The group had no difficulty at all in appropriating some older themes, taking a jaunty, jazzy rhythm on Con Toda Palabra by The Living Road, transforming De Cara a la Pared, which opened La Llorona, by means of a long abstract intro. They lent an Andean air to Par El Fin Del Mundo, thanks to the foregrounding of a charango and a harp. All this might give a little insight into the plans of the singer who at the time wanted to pay homage to Latino icons Violeta Parra and Victor Jara. A departure from the norm in terms of her back catalogue, a magnificent cover of a Sam Cooke standard A Change Is Gonna Come and the echoes of an unruly intervention by Lhasa and her laughter fuse between the pieces. It is hard to grasp, in the face of such a spirited performance, that this was her last concert: she would die several months later, of cancer, at the age of just 37. © BM/Qobuz

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